Brassy, banded, striped, or a box-dye decision you regret. Color correction is its own craft, and it starts with an honest plan for what your hair can safely handle.
A normal color appointment starts from a canvas we can predict. A correction starts from whatever is already on your hair, often several different things layered over each other in different places. That is why it is priced, planned, and timed differently.
Common reasons people come in for correction: brass or orange that a toner never fixed, banding and hot roots, stripey highlights that never blended, box dye that will not lift evenly, or going from dark back to blonde.
Two things matter more than anything else. First, that we look at your actual hair before promising a result. Second, that we go at a pace your hair can survive. A beautiful correction that destroys your hair is not a success, and Jillian will tell you if the honest answer is two sessions instead of one.
Warmth that keeps coming back no matter how much purple shampoo you throw at it.
Visible stripes of different tone where regrowth and old color meet.
Heavy, uneven pigment build-up that lifts unpredictably and needs a staged plan.
Chunky, striped, or overlapped lightening that never melted together.
The biggest lift there is, almost always safer spread across more than one visit.
When the priority is strength first and color second. We will say so if that is the case.


A consultation with a strand test tells us what is really on your hair. Bring the box or shade name if you used one, and photos of the color history if you have them.
How many sessions, roughly how long, what it will cost, and what is realistic for your hair. You decide before anything starts.
Lifting, filling, and toning in the order your hair can handle, with bond treatments throughout. Sometimes we deliberately stop short of the end goal to protect the hair.
Once the color is where you want it, the job becomes keeping it there: glosses, the right products, and a schedule that stops it sliding back.
Correction is quoted at your consultation, because the price depends entirely on what is already on your hair, how many sessions it will safely take, and how far you want to go. It is a bigger service than a standard color. You will get the full plan and the full number before any work begins.
Some corrections are one long appointment. Many are two or three, spaced out to protect the hair, especially dark box dye going back to blonde. Anyone promising a dramatic correction in one short visit is usually risking your hair to do it.
Usually yes, but box dye is the most common reason a correction runs past one session. Box color deposits heavy pigment unevenly and builds up on the ends, so it lifts unpredictably. Bring the box or the shade name if you still have it, it genuinely helps us plan.
Yes. Mild brass is often solved with a gloss or toner in one visit. Orange or banded hair usually means the underlying pigment has to be lifted properly first and then toned, which is a real correction rather than a toner layered on top. Here is how to keep it from coming back.
Please do not. Layering more box dye or another at-home toner over a bad result is the single thing that turns a one-session correction into a three-session one. Stop, book a consultation, and let us look at it before anything else touches your hair.
Correction asks more of the hair than a standard color, which is exactly why it gets staged. We strand test, use bond treatments throughout, and will stop short of the goal if the hair says so. If your hair needs strength before it needs lift, you will hear that at the consultation rather than after.
The sooner we see it, the more options you have. Book a consultation and you will leave with a real plan, even if the honest answer is that it takes more than one visit.
In a hurry or not sure where to start? Call (973) 919-1241.